These Images are portraits that are a collaboration with the photographer and the sitters – where there is no static formality of the positioning of the subject. The subjects select their location whether it is a private, public, or intimate space. Followed by adding text/story to accompany their image.
Naked Britain began early 2005. As a British resident Anastasia intends to place the focal point of her subjects within Britain, hence ‘Naked Britain. However, she will be opening this project to other countries in the future – on her travels.
This is a documenting project, which takes a look at ‘the self’ as a raw individual as well as their response to society. The representation of ‘the self’ is portrayed with an element of exposing their ‘identity’, and whilst being brought up in a western society where clothing is a part of their attire, the shedding of these garments symbolically adds to this element – as if it is a vital part of acceptance.
Anastasia has always been one to challenge the boundaries within society…constantly questioning the so called ‘norms’. She approaches life in a fearless manner, loves being thrown into the unknown, the unfamiliar and seeing what results come to surface.
Naked Britain/Exposure was a natural progression, which evolved from her body of work ‘Photographing the female’, which has also been an ongoing exploration. While naked britain has some parallels with this work, its main purpose is to disassociate the aestheticism of the naked body and put it into a discourse of individual expression.
‘Photographing the female’ are mostly ‘black and white’ abstract nudes where she focused on the aesthetics within the concept of vulnerability being perceived as a pure form. With this perception it was transformed into beauty rather than a negative state of being, as well as recognizing the individual’s difference when stripped of their identity, and seeing the equity of the human form. View Gallery